Lesley Gore makes me want to achieve things, and I don’t like it! Discovered at the youthful age of 16, Mercury Records producer Quincy Jones brought the talented Gore to the limelight with just one hit. A number of these songs primarily stem from her album I’ll Cry If I Want To as it tells an interesting tale upon further listening. Anyway, to prove once again that you have extensive music knowledge, take a gander amongst this very brief list: Top 5 Lesley Gore pieces, starting with most familiar to least.
#1: “It’s My Party”
Possibly one of the most popular debut songs, especially from this young star. This single song delivered a raw, powerful message understood by many left alone in times of need. Additionally, this idiom allowed many to express themselves and whatever emotions they had in public or celebratory events.
#2: “Sunshine, Lollipops And Rainbows”
Ah, it has been a long time since life felt like this… oh, I’m still on the clock? Whoops! This anthemic pop song brings anyone back to their elementary school days, no matter what stands in their way. If you ever watched Cloudy with a Chance of Meatballs, I’m sure this is familiar in the slightest. It’s infectious. It’s saccharine. It transcends all pessimism!
#3: “You Don’t Own Me
First Wives Club fans, step right up. Not only have I heard this played numerous times during lip syncs here at Westmont, but it’s also the most proper landmark of female independence in song history. Its legacy delivers defiance in a confident manner, resonating with many torn wives and heartbroken partners.
#4: “Fools Rush In (Where Angels Fear To Tread)”
I think I’ve heard many covers of this song. However, whenever Lesley Gore does a cover, her special voice fits with the background tune so well, not to mention her spectacular cadence! This has to be my second favorite cover she has done. It’s polished and impressively mature for a teen love-song.
#5: “Judy’s Turn To Cry”
The story has officially come back full circle. Serving as a sequel to “It’s My Party,” “Judy’s Turn To Cry” is equally as, well, unnaturally catchy. Like triumphant revenge hidden under faster, more energetic vocals, unlike “You Don’t Own Me,” this song concludes this brilliant young adolescent’s saga of a lyrical powerhouse.